Author(s): Simon Cutts

DESIGN THEORY <

This collection of writings attempts to group together approaches to the physicality of the book, learned from its beginnings as small press activity.

A reductive instinct formed from those earlier editorial principles of small press work can be applied to all products of the imagination, especially the plastic arts.  A synthesis of attitudes, developed from the aesthetics and economics of invention and problem solving, informs the formal making of all things.