Author(s): David Evans
Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique.
"The great strength of this landmark anthology is its inclusive strategy, which by dint of a simultaneous editorial economy has not resulted, thank heavens, in a monstrous tome. From Malek Alloula to Gil J. Wolman, the voices sampled here introduce the reader to artistic practices and theoretical concepts that anyone interested in appropriation ought to know." --Anne M. Wagner, Class of 1936 Chair and Professor of Modern and Contemporary Art, University of California, Berkeley
David Evans is the author of the catalogue raisonne John Heartfield: AIZ/VI 1930-38 and a Research Fellow in Photography at the Arts Institute, Bournemouth, England. He has published numerous articles in such journals as Afterimage, Eye, and Source.